Tony Cragg at the Lisson Gallery / Vispo-collage: And Reveal / Talking about your art & talking bollocks / Sex Pistols

anish kapoor paints fleshy resin silicone series for lisson gallery

Happy Lunar New Year from Ryan Gander and Lisson Gallery 里森画廊和艺术家瑞安·甘德在这里祝您新年快乐，万事如意 The year of the dog constructed and deconstructed infinite times by the artist’s eight year old daughter 无限循环的拼搭图案创自艺术家8岁的女儿 | Lisson Gallery | Facebook

Olga de Amaral's inaugural exhibition with Lisson Gallery in London continues through 29 October ✨ Rather than striving to elevate craft beyond itself, Amaral regards her art as existing in continuum with the functional aspects of her working studio, with her female collaborators and fellow weavers in Colombia at least as important as any notions of transcending her medium. This exhibition of works from the past two decades reveals Amaral’s mastery of the loom and the woven language Open today f

24 reactions | Watch now: In the studio with Christopher Le Brun The...

Watch now: Elaine Cameron-Weir walks us through her current New York exhibition, 'A WAY OF LIFE'. In her first Lisson Gallery show, Cameron-Weir explores themes around tradition and subculture, conformity and self-definition, repeatable gesture and singular occurrence. In this walkthrough, the artist expands on the exhibition's central subjects including the concept of end-times, her use of the 'threshold', and questions around the commodification of rebelliousness or individuality. Watch in ful

Behind the scenes: watch Richard Long creating his large-scale new mud work, 'Gravity Crescent' directly onto the wall at 27 Bell Street, as part of his current exhibition, ‘Circle to Circle'. Catch it before it closes on 23 June! Full version at BBC Arts: https://bbc.in/2Jhtfdb | Lisson Gallery

Dexter Dalwood’s inaugural Lisson Gallery exhibition, 'English Painting', represents a return to the artist’s homeland and to the subject of what it might mean to be an ‘English’ painter. From the distance of his Mexico studio, Dalwood has begun to re-consider his attachments with English art history and the culture of his youth, growing up in 1970s and ’80s Britain. The question of whether national identity can be determined or distilled through art is explored in this new group of paintings th