The first half of the year was action-packed for After Effects, with months of big features, AI and freemium competition, and ...

Sigma introduced the Aizu Prime 21mm T1.3 LF, 100mm T1.3 LF, and 125mm T1.3 LF, three new lens additions to the Aizu Prime ...

Just last week I posted a video tutorial introducing Mocha AE, the tracking app that has been bundled with After Effects ...

This year, VES is introducing a new category for Outstanding Visual Effects in a Short Project and establishing separate ...

The broadcast industry’s smallest remote vision mixer and format processor, SportsBox, has moved from development to ...

I affectionately call PacRad the “filmmaker’s hardware store.” Browsing the website is very much like walking into a ...

In live production, broadcast setups, and commercial AV installations, the line between smooth, high-fidelity operations and ...

Optimized around the iPhone’s periscope module, X.Series SuperZoom gives you predictable, razor-sharp tele results every time ...

It’s remarkable what Sony built with the Sony FX5. They’ve thrown in something for everyone without cutting too many corners.

The integration of Beeble gives ETC students hands-on experience with AI workflows for visual effects, virtual production, ...

The RICOH GR IVx camera now being developed is equipped with a newly developed lens that allows users to enjoy shooting with ...

Motion tracking is an important part of video production, and After Effects has been able to track regions of video for more ...