Maybe Jackson's ceramic "monsters" are just creatures who look like they shouldn’t belong — and in her world-building Jackson has made a place where they do.

From a large Wigstock banner to more intimate self-portraits, Tabboo!’s art sparkles anew in two contemporaneous exhibitions.

The spirit of Valentine’s Day, like February itself, is best kept short and sweet. On the occasion of a notoriously ...

Alexis Rockman’s Naples: Course of Empire continues at Magenta Plains (149 Canal Street, Chinatown, Manhattan) through March ...

The late artist’s work has always bristled against the boundaries of categorization, and it does so particularly here, in an ...

The embattled organization’s new code of conduct effectively stifles scrutiny of the Israeli state.

A show at Munich’s Lenbachhaus museum is an urgent study in the meaningful art-political networks that stressed solidarity and unity over isolation.

In Black in Blues, Imani Perry reaches to the height of the sky and the depth of the ocean, casting the history of blue as ...

“He brings in that random, specific, accidental character of the world, and then he makes it feel like there’s some kind of order to it,” says Friedrich expert Joseph Leo Koerner.

The Indian-American printmaker’s experimental, collaborative spirit yielded a new method for multicolored intaglio printing ...

The US Copyright Office issued its latest findings on the controversial question of who owns artworks created using ...

Those empowered to supervise large swaths of humanity too often dehumanize us, whether through the levers of state, financial ...