Kicking off this year’s FrightFest in London for its 26th year was Abner Pastoll’s Nervous that takes a unique look at the voicelessness many women feel in relationships, as well as the wider world.

Binding Eva’s Saturday evening slot at this year’s FrightFest is a vote of confidence in writer-director Conscian Morgan’s impressive debut, and it’s easy to see why it’s earned it. His psychological ...

From Raw to In My Skin, Alpha, Titane, and Swallow, French body horror has long captivated genre fans thanks to its unflinching, visceral extremes, its unique blend of high art and exploitation, and ...

A hoarder’s house can reveal many things in its piles. Newspapers from eras past, old food containers lost in the depths of dirty clothes, or even people clearly being held against their will by an ...

From its opening moments, Fresh Meat leaves no doubt about the kind of film it wants to be. Director Daniel Turres wastes little time plunging audiences into a grisly opening sequence, bathed in ...

More than 10 years since the release of his first short film, Disquiet, Nicholas Pineda is back in the directing chair with eerie found footage flick Infirmary, which enjoys its UK premiere at this ...

The main character in Ponderosa, a quirky satire on American life, is the streets. Or, on trend, the liminal space between them. Rob Rice’s stylish Ponderosa will occasionally inspire flashes of ...

Kicking off this year’s FrightFest in London for its 26th year was Abner Pastoll’s Nervous that takes a unique look at the voicelessness many women feel in relationships, as well as the wider world.

It’s fair to say that television isn’t sparse when it comes to historical period dramas. Whether it’s Bridgerton, The Crown, Belgravia or even Downton Abbey, they’re each easily accessible and ...

While Martin Scorsese is best known for his gangster epics and brooding antiheroes, tucked away in his early filmography is a quietly powerful feminist drama. Alice Doesn’t Live Here Anymore earned ...

Histoire(s) du Cinéma, Jean-Luc Godard’s multi-part exercise in defiance (of narrative thrust, of documentarian rigour, of audience expectations, etc.) is designed to frustrate any viewer, even the ...

David Mackenzie has proven to be an adept filmmaker when it comes to nerve-shredding drama. In the years since his remarkable modern western Hell or High Water (2016), nothing has come close, however.