A $10M Budget Didn’t Stop ‘The Brutalist’ Production Designer Judy Becker From Leaning Into the Film’s Titular Architectural Style
By When it comes to admiring the brutalist style, Becker has a lot more company now, partly thanks to evolving tastes but in ...
The White Lotus returns: The rot is stronger than ever, but it’s feeling repetitive
Watching the cracks start to show among the privileged hotel guests remains a delicious process, but there are also points where it feels like a routine.