Some creatives are finding artificial intelligence to be a useful tool—but we need more literacy around what that means.
The director of The Brutalist has defended his lead actors' performances after it emerged that artificial intelligence had been used to "refine" their Hungarian accents. Brady Corbet insisted that ...
The Brutalist is the third collaboration of director, producer and co-writer Brady Corbet and cinematographer Lol Crawley in the past decade, following 2018’s Vox Lux and 2015’s The Childhood ...
When Brady Corbet’s The Brutalist premiered at the Venice film festival last September, few film experts believed it could have any impact on the erratic US box office. A nearly four-hour-long ...
Critics were not kind to Coppola's film, but a much warmer reception greeted Brady Corbet's The Brutalist, a more down-to-earth but no less epic period drama following a Hungarian-born Holocaust ...
While “The Brutalist” checks in at three hours and 35 minutes, it’s not the longest film ever nominated – that honor goes to “Cleopatra,” which went over the four-hour mark – but it ...
“The Brutalist” has become an awards season frontrunner, praised for its portrayal of a brilliant architect and Holocaust survivor who seeks a new life in the United States. The period epic is ...
In the film, The Brutalist, László Tóth is a Jewish immigrant, Holocaust survivor and architect. In the first act, “The Enigma of Arrival,” László arrives in Doylestown, Pennsylvania.
But in the last few weeks, amplified by the news that the editor behind the newly Oscar-nominated drama “The Brutalist” used AI to tweak ... Some of the panelists also pointed out that the use of ...
Days before the Oscar race officially kicks off, one of the expected front-runners sparked controversy when the film's editor admitted using artificial intelligence to enhance Hungarian accents in ...
Spoiler alert! We're discussing major details about the ending of "The Brutalist" (in theaters now nationwide). Beware if you haven't seen it yet. It is the destination – not the journey.
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