The Male Pattern, the project of Queens songwriter, novelist and English professor Will Schwartz, shares “Charlie (The ...
David Murphy & Ether Ensemble rework Led Zeppelin’s “The Rain Song” for pedal steel — a charity single for Doctors Without ...
Jon Wilks marks fifty years of Martin Carthy’s “Crown of Horn” with his own rendition of “Geordie,” out September 4th. A long ...
Josienne Clarke premieres her new video for “Green Grow the Laurels”, directed by Alec Bowman_Clarke, and announces her new ...
Patrick Cummins and John Francis Flynn debut as Paahto & The Bull with “The 123” — ten Irish traditional guitar duets, tremendous and full of confidence.
Allison de Groot and Rich Ruth have today shared their second single, ‘Distance From Then’. With its earthy birdsong opening ...
Temple Songs is an album of deceptive simplicity, wherein even the cover art, with Laura Veirs‘ smiling face glowing on the front, suggests a mood far lighter than the complexity of emotions within.
Angeline Morrison needs no introduction to the learned readers of KLOF. But let me give you one anyway. Originally from the West Midlands, Angeline moved to Cornwall in her late teens in ardent ...
Porchlight is Paige Anderson’s first release since becoming the sole frontperson of Two Runner, a folk duo which began life in 2020 when she met her former bandmate Emilie Rose. The duo toured ...
I’ve gotta level with you. I’d never heard of Marvin Tate before I was sent Controlled Burn for review. His name sounded like he might have played right back for Preston North End in the early 2000s.
Moss forms her hauntingly beautiful songs with a scalpel blade, exposing the soft tissue of human emotion with unerring accuracy.
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