Though Guillermo del Toro’s 1997 American studio debut Mimic was a notoriously unpleasant experience, the silver lining of ...

High in the Pyrenees, a centuries-old way of life approaches its twilight amid a controversial rewilding scheme. France’s ...

If last year’s Maryland Film Festival felt like a trial run for a new era of Baltimore’s cornerstone film event, the 26th ...

Documentary filmmaker Lynn Sachs on her latest, “Every Contact Leaves a Trace,” in which she remembers seven life-altering encounters.

When I was at Yale, I was very insecure about myself and insecure about where I belonged. I always felt like I had more questions than answers about life. And I felt like everyone else seemed to have ...

Mario Patrocínio’s Maria Vitória is the writer-director’s first narrative feature, but it brings the chops of his documentary ...

Benita may not have left a note when she took her life, but her archive was a kind of trail — what I call a “filmmaker’s ...

Andres Veiel’s “Riefenstahl” is an arresting and deeply disturbing all-archival portrait of the titular Third Reich ...

The nonprofit Sundance Institute today announced in a press release details for the 2026 Sundance Film Festival’s annual ...

In 2021, the Tokyo International Film Festival decided to leap out of mediocrity. It was, acquaintances told me, previously ...

Writer-director Avalon Fast discusses her sophomore feature CAMP, which centers on a group of “gorgeous misfits” working at a Canadian summer camp.

Alex Winter and Tom Stern’s 1993 cult classic Freaked is less an example of “high” and “low” art commingling than of pop- and-sub-cultures colliding. At the precipice of marquee fame after headlining ...