SEATTLE — On the surface, "Last Night in Soho" is a celebration of the 60s — the glitzy and glamorous sides. But when a young aspiring fashion designer moves to London's Soho area and mysteriously ...

Nostalgia can offer history a brighter, more exciting and decidedly rose-colored sheen. This is the question filmmaker Edgar Wright, and co-writer Krysty Wilson-Cairns, pick up in “Last Night in Soho, ...

The filmmaker also reflects on the signature 'Baby Driver' element he wanted to avoid for his new property. By Brian Davids Writer “Well, with London, like a lot of old cities, the ground floor has ...

This story about “Last Night in Soho” first appeared in the Below-the-Line Issue of TheWrap’s awards magazine. Edgar Wright’s sumptuous thriller “Last Night in Soho” follows young Eloise (Thomasin ...

In “Last Night in Soho,” wanderlust and cultural nostalgia drive a young woman named Eloise (Thomasin McKenzie) to attend fashion school in London’s Soho district. There, her obsession with 1960s ...

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We’ve all seen our great share of streaming while in isolation during Covid, but nothing was a better reminder of the power of the big screen than the Edgar Wright-directed, produced and co-penned ...

Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will be factors in this year’s movie awards race. 1960s Soho, London comes back to life in Edgar ...

Bad dreams are the worst. Like, if you dream of making out with a person you never thought of in that kind of way? So weird! But in a new movie, bad dreams turn into an entire murder investigation.

Murder never looked so good. “Last Night in Soho” — the latest horror film from “Shaun of the Dead” director Edgar Wright, out Friday, Oct. 29 — features a modern-day fashion student Eloise (Thomasin ...

After winning our hearts (and every chess competition going) as Beth in Netflix's The Queen's Gambit, Anya Taylor-Joy is poised to return to our screens in the psychological horror film, Last Night in ...

Nostalgia can offer history a brighter, more exciting and decidedly rose-colored sheen. This is the question filmmaker Edgar Wright, and co-writer Krysty Wilson-Cairns, pick up in “Last Night in Soho, ...