It’s a woman’s world in “Passion,” Brian De Palma’s slick, but often clumsy, neo noir. An English-language remake of the French “Crime d’Amour,” “Passion” returns De Palma, after a hiatus of nearly ...

De Palma is at TIFF with his latest film, Passion, a remake of the 2010 French thriller Crime d’Amour. You can save this article by registering for free here. Or sign-in if you have an account.

Since the earliest stages of Brian De Palma‘s career, his thrillers have constantly walked a line between self-parody and earnest pastiche. “Passion,” a reworking of the late Alain Corneau’s final ...

A pivotal moment in Passion, Brian De Palma's resplendent erotic thriller, centers on a splash of red. An obvious color, maybe, but one that matters because the scene leading up to it — a tour de ...

After decades of serving as a provocateur and ostentatious cinematic stylist, one could forgive Brian De Palma for deciding to settle down and just make some movies. Not films, not experiments, not ...

There's a great vintage "Saturday Night Live" sketch where host Kirk Douglas does a fake ad for the album "Kirk's Greatest Kirks," featuring the actor impersonating Kirk Douglas impersonators (Rich ...

Matt Goldberg has been an editor with Collider since 2007. As the site's Chief Film Critic, he has authored hundreds of reviews and covered major film festivals including the Toronto International ...

At the center of “Passion,” the new psychosexual thriller from master manipulator Brian De Palma, is a split-screen sequence featuring a classic work of modern choreography alongside a highly ...

Brian De Palma has been a figure of flash point intensity and argument throughout his career, from his intertwined explorations of sex and violence in “Dressed to Kill,” “Blow Out” and “Body Double” ...

Brian De Palma will direct thriller “Passion,” a remake of 2010 Gallic psychodrama “Crime d’amour” (Love Crime), helmed by France’s Alain Corneau. “Passion” is set up at Paris-based SBS Prods., headed ...

Since earliest stages of Brian De Palma‘s career, his thrillers have constantly walked a line between self-parody and earnest pastiche. “Passion,” a reworking of the late Alain Corneau’s final film ...