Fans of artistically perverse Euro-horror always get a little excited when a new Dario Argento movie is announced. Granted, the Italian horror master hasn’t exactly been on top form in recent years ...
Legendary Italian horror filmmaker Dario Argento will be trying his hand at Dracula next. Announced at Cannes today, as mentioned briefly in a Tweet (via Bloody-Disgusting), Argento will start filming ...
Horror is coming to the Cannes Film Festival this week, courtesy of Italian cult director Dario Argento, pictured here on May 8, who told AFP in an interview that his 3D Dracula is "a man for our ...
There was a time when director Dario Argento was considered one of the indisputable masters of horror. His first film, The Bird with the Crystal Plumage, kicked off the Giallo craze in 1970s Italian ...
Along with a poster, Filmexport Group have decided to release pretty much the entire plot in detail for their upcoming adaptation of Bram Stoker's seminal novel. Strange maybe, but in fairness, who ...
In a world plagued by fashion ad vampires, horror icon Dario Argento is going back to the classic days of movie monsters, and injecting the blood and sex of contemporary society with Dracula 3D. The ...
That’s right, kids! A pretty friggin’ awesome one-sheet has arrived for IFC’s release of Argento’s Dracula (review), and it makes us wish that the movie was as good as the artwork itself. Check it out ...
Conventional wisdom holds that Dario Argento, maker of such classics as “Suspiria” and “Deep Red,” has been running on fumes for years now. But his latest, “Argento’s Dracula 3D,” has enough going for ...
Post Thumb: /sep13/argento-dracula-s.jpg The first red band trailer has finally arrived for IFC’s release of Post Thumb: /sep13/argento-dracula-s.jpg Gallery Image ...
Director Argento half-heartedly mixes schlocky 3D f/x with one-dimensional characters for a near-two-hour joke that ought to have been funnier. Even with its goofy, bad-is-good approach, channeling ...
Director Argento half-heartedly mixes schlocky 3D f/x with one-dimensional characters for a near-two-hour joke that ought to have been funnier. Even with its goofy, bad-is-good approach, channeling ...